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	<title>Theater Management Knowledge Base &#187; Artists and Artistry</title>
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	<description>Presented by the Yale School of Drama</description>
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		<title>Case Study: Mabou Mines (2009)</title>
		<link>http://yaletmknowledgebase.org/artists-and-artistry/case-study-mabou-mines-2009/</link>
		<comments>http://yaletmknowledgebase.org/artists-and-artistry/case-study-mabou-mines-2009/#comments</comments>
		<pubDate>Thu, 23 Feb 2012 22:58:08 +0000</pubDate>
		<dc:creator>Suzanne Riordan Appel</dc:creator>
				<category><![CDATA[Artists and Artistry]]></category>
		<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Financial Management]]></category>
		<category><![CDATA[Organizational Direction]]></category>
		<category><![CDATA[decision making]]></category>
		<category><![CDATA[managing change]]></category>
		<category><![CDATA[organizational culture]]></category>
		<category><![CDATA[planning]]></category>
		<category><![CDATA[succession]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=994</guid>
		<description><![CDATA[This case study takes a look inside the renowned ensemble company nearly 40 years after its founding as Lee Breuer and his colleagues consider a transition to the next generation of theater artists. Although they had certainly begun to slow down, Lee Breuer, founder and co-artistic director, of Mabou Mines, 72, and Ruth Maleczech, founder [...]]]></description>
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		<title>Interview: Lou Bellamy and Chris Widdess, Penumbra Theatre Company&#8217;s Management Team (2010)</title>
		<link>http://yaletmknowledgebase.org/artists-and-artistry/interview-lou-bellamy-and-chris-widdess-penumbra-theatre-companys-management-team-2010/</link>
		<comments>http://yaletmknowledgebase.org/artists-and-artistry/interview-lou-bellamy-and-chris-widdess-penumbra-theatre-companys-management-team-2010/#comments</comments>
		<pubDate>Thu, 09 Feb 2012 13:30:55 +0000</pubDate>
		<dc:creator>Kate E. Liberman</dc:creator>
				<category><![CDATA[Artists and Artistry]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Leadership]]></category>
		<category><![CDATA[Organizational Direction]]></category>
		<category><![CDATA[Governance]]></category>
		<category><![CDATA[managing change]]></category>
		<category><![CDATA[mid-size organizations]]></category>
		<category><![CDATA[mission]]></category>
		<category><![CDATA[organizational culture]]></category>
		<category><![CDATA[succession]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=940</guid>
		<description><![CDATA[As Penumbra’s Founding Artistic Director Lou Bellamy and Managing Director (since 2004) Chris Widdess plot their exits from the company, they discuss partnering with major regional theaters, recommitting to the company’s mission, and the upcoming leadership transition.]]></description>
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		<title>Interview: Charles Dillingham (2010)</title>
		<link>http://yaletmknowledgebase.org/artists-and-artistry/interview-charles-dillingham-2010/</link>
		<comments>http://yaletmknowledgebase.org/artists-and-artistry/interview-charles-dillingham-2010/#comments</comments>
		<pubDate>Fri, 16 Sep 2011 00:13:33 +0000</pubDate>
		<dc:creator>Art Priromprintr</dc:creator>
				<category><![CDATA[Artists and Artistry]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Field Overview]]></category>
		<category><![CDATA[Governance]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Leadership]]></category>
		<category><![CDATA[Organizational Direction]]></category>
		<category><![CDATA[cultural policy]]></category>
		<category><![CDATA[growth]]></category>
		<category><![CDATA[managing change]]></category>
		<category><![CDATA[organizational culture]]></category>
		<category><![CDATA[succession]]></category>
		<category><![CDATA[sustainability]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=690</guid>
		<description><![CDATA[Charles Dillingham was the managing director at Center Theatre Group from 1991 to 2011, where he supervised all development, marketing, administrative and financial aspects of Center Theatre Group. Prior to CTG, he was CEO of The Entertainment Corporation USA, presenting the Bolshoi Ballet, Bolshoi Opera, Kirov Ballet, Kirov Opera, and Royal Ballet at the Metropolitan [...]]]></description>
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		<title>Interview: Michael David (2010)</title>
		<link>http://yaletmknowledgebase.org/artists-and-artistry/interview-michael-david-2010/</link>
		<comments>http://yaletmknowledgebase.org/artists-and-artistry/interview-michael-david-2010/#comments</comments>
		<pubDate>Wed, 18 May 2011 15:49:18 +0000</pubDate>
		<dc:creator>Edward A. Martenson</dc:creator>
				<category><![CDATA[Artists and Artistry]]></category>
		<category><![CDATA[Commercial Theater]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[growth]]></category>
		<category><![CDATA[joint ventures]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=668</guid>
		<description><![CDATA[Michael David talks about his career, producing for Broadway, and the state of Broadway in 2010.  Michael David is a partner at Dodger Theatricals, a producing partnership made up of Michael David, Edward Strong, Rocco Landesman, and Des McAnuff.  Dodger originated at BAM in 1978, migrated to the New York Shakespeare Festival/Public Theater, then off [...]]]></description>
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		<title>Interview: Organizational Leadership &#8211; A Conversation with Trisha Brown (2005)</title>
		<link>http://yaletmknowledgebase.org/artists-and-artistry/interview-organizational-leadership-a-conversation-with-trisha-brown-2005/</link>
		<comments>http://yaletmknowledgebase.org/artists-and-artistry/interview-organizational-leadership-a-conversation-with-trisha-brown-2005/#comments</comments>
		<pubDate>Mon, 28 Mar 2011 02:22:01 +0000</pubDate>
		<dc:creator>Edward A. Martenson</dc:creator>
				<category><![CDATA[Artists and Artistry]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Leadership]]></category>
		<category><![CDATA[growth]]></category>
		<category><![CDATA[managing change]]></category>
		<category><![CDATA[organizational culture]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=594</guid>
		<description><![CDATA[Trisha Brown has been called the most widely acclaimed choreographer of the postmodern era.  She has collaborated with Robert Rauschenberg, John Cage, and Laurie Anderson, among others.  Brown studied modern dance at Mills College in the 1950’s, and was a founding member of the Judson Dance Theater in the ‘60’s. In 1970 she formed the [...]]]></description>
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		<title>Interview: René Buch &#8211; Building on the Dream (2010)</title>
		<link>http://yaletmknowledgebase.org/artists-and-artistry/interview-rene-buch-building-on-the-dream-2010/</link>
		<comments>http://yaletmknowledgebase.org/artists-and-artistry/interview-rene-buch-building-on-the-dream-2010/#comments</comments>
		<pubDate>Mon, 28 Mar 2011 02:20:06 +0000</pubDate>
		<dc:creator>Edward A. Martenson</dc:creator>
				<category><![CDATA[Artists and Artistry]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Leadership]]></category>
		<category><![CDATA[audience]]></category>
		<category><![CDATA[cultural development]]></category>
		<category><![CDATA[cultural policy]]></category>
		<category><![CDATA[managing change]]></category>
		<category><![CDATA[succession]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=591</guid>
		<description><![CDATA[René Buch is the founding artistic director of Repertorio Español in New York City, one of the few theaters in the United States to perform both classic and contemporary Spanish plays entirely in the Spanish language.   The theater is also unique for its classical repertory model, with a company of actors and a schedule of [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Case Study: Ice Theatre of New York (2008)</title>
		<link>http://yaletmknowledgebase.org/artists-and-artistry/case-study-ice-theatre-of-new-york-2008/</link>
		<comments>http://yaletmknowledgebase.org/artists-and-artistry/case-study-ice-theatre-of-new-york-2008/#comments</comments>
		<pubDate>Mon, 28 Mar 2011 01:02:25 +0000</pubDate>
		<dc:creator>Frances Black</dc:creator>
				<category><![CDATA[Artists and Artistry]]></category>
		<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Governance]]></category>
		<category><![CDATA[Growth Trajectories]]></category>
		<category><![CDATA[Leadership]]></category>
		<category><![CDATA[Organizational Direction]]></category>
		<category><![CDATA[competition]]></category>
		<category><![CDATA[cultural development]]></category>
		<category><![CDATA[decision making]]></category>
		<category><![CDATA[growth]]></category>
		<category><![CDATA[managing change]]></category>
		<category><![CDATA[mission]]></category>
		<category><![CDATA[organizational culture]]></category>
		<category><![CDATA[planning]]></category>
		<category><![CDATA[strategy]]></category>
		<category><![CDATA[succession]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=572</guid>
		<description><![CDATA[On the far west side of midtown Manhattan, looking out across the Hudson with a view of New Jersey, is a large sports complex called Chelsea Piers. The office of Ice Theatre of New York (ITNY) is located at Pier 59, across the parking lot from the Golf Center. ITNY is the only arts organization [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Case Study: Bread and Puppet Theater (2009)</title>
		<link>http://yaletmknowledgebase.org/artists-and-artistry/case-study-bread-and-puppet-theater-2009/</link>
		<comments>http://yaletmknowledgebase.org/artists-and-artistry/case-study-bread-and-puppet-theater-2009/#comments</comments>
		<pubDate>Mon, 28 Mar 2011 00:58:21 +0000</pubDate>
		<dc:creator>Elizabeth Elliott</dc:creator>
				<category><![CDATA[Artists and Artistry]]></category>
		<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Governance]]></category>
		<category><![CDATA[Leadership]]></category>
		<category><![CDATA[Organizational Direction]]></category>
		<category><![CDATA[cultural development]]></category>
		<category><![CDATA[decision making]]></category>
		<category><![CDATA[donor relations]]></category>
		<category><![CDATA[growth]]></category>
		<category><![CDATA[managing change]]></category>
		<category><![CDATA[organizational culture]]></category>
		<category><![CDATA[scale]]></category>
		<category><![CDATA[strategy]]></category>
		<category><![CDATA[succession]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=568</guid>
		<description><![CDATA[This case looks at a venerable, founder-driven theater and its planning for the future. Every morning on the Bread and Puppet farm in Glover, Vermont, Peter Schumann rises at the crack of dawn, straps on his apron, and sets to the task of baking the day&#8217;s bread.  With matted white hair, an overgrown beard, and [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Interview: Servicing the Art, A Conversation with Joseph V. Melillo (2010)</title>
		<link>http://yaletmknowledgebase.org/artists-and-artistry/interview-servicing-the-art-a-conversation-with-joseph-v-melillo-2010/</link>
		<comments>http://yaletmknowledgebase.org/artists-and-artistry/interview-servicing-the-art-a-conversation-with-joseph-v-melillo-2010/#comments</comments>
		<pubDate>Thu, 28 Jan 2010 17:14:14 +0000</pubDate>
		<dc:creator>Jane Jung</dc:creator>
				<category><![CDATA[Artists and Artistry]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Leadership]]></category>
		<category><![CDATA[presenting]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=474</guid>
		<description><![CDATA[Joseph V. Melillo, Executive Producer of the Brooklyn Academy of Music (BAM), is responsible for all of BAM’s artistic programming. Throughout his 25 year tenure, Melillo has upheld BAM’s position as the leading institution for contemporary performance. BAM is firmly rooted in its local environ while being international in its scope of programming.  In this [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Interview: The Nonprofit and Commerical Theater: A Comparison (2007)</title>
		<link>http://yaletmknowledgebase.org/artists-and-artistry/interview-the-nonprofit-and-commerical-theater-a-comparison-2007/</link>
		<comments>http://yaletmknowledgebase.org/artists-and-artistry/interview-the-nonprofit-and-commerical-theater-a-comparison-2007/#comments</comments>
		<pubDate>Mon, 01 Jan 2007 22:11:31 +0000</pubDate>
		<dc:creator>Jane Jung</dc:creator>
				<category><![CDATA[Artists and Artistry]]></category>
		<category><![CDATA[Field Overview]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Leadership]]></category>
		<category><![CDATA[audience]]></category>
		<category><![CDATA[cultural policy]]></category>
		<category><![CDATA[succession]]></category>
		<category><![CDATA[sustainability]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=453</guid>
		<description><![CDATA[Rocco Landesman, former President of Jujamcyn Amusement Corporation and current Chairman of the National Endowment for the Arts, and Robert Brustein, founding Artistic Director of the Yale Repertory Theatre and the American Repertory Theatre, discuss the role of nonprofit and commercial theater at the Yale School of Drama in 2007. In this discussion, they address [...]]]></description>
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