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	<title>Theater Management Knowledge Base &#187; Featured</title>
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		<title>Case Study: Mabou Mines (2009)</title>
		<link>http://yaletmknowledgebase.org/artists-and-artistry/case-study-mabou-mines-2009/</link>
		<comments>http://yaletmknowledgebase.org/artists-and-artistry/case-study-mabou-mines-2009/#comments</comments>
		<pubDate>Thu, 23 Feb 2012 22:58:08 +0000</pubDate>
		<dc:creator>Suzanne Riordan Appel</dc:creator>
				<category><![CDATA[Artists and Artistry]]></category>
		<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Financial Management]]></category>
		<category><![CDATA[Organizational Direction]]></category>
		<category><![CDATA[decision making]]></category>
		<category><![CDATA[managing change]]></category>
		<category><![CDATA[organizational culture]]></category>
		<category><![CDATA[planning]]></category>
		<category><![CDATA[succession]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=994</guid>
		<description><![CDATA[This case study takes a look inside the renowned ensemble company nearly 40 years after its founding as Lee Breuer and his colleagues consider a transition to the next generation of theater artists. Although they had certainly begun to slow down, Lee Breuer, founder and co-artistic director, of Mabou Mines, 72, and Ruth Maleczech, founder [...]]]></description>
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		<title>Tools: Letter of Agreement Template (union musician) (2011)</title>
		<link>http://yaletmknowledgebase.org/featured/tools-letter-of-agreement-template-union-musician-2011/</link>
		<comments>http://yaletmknowledgebase.org/featured/tools-letter-of-agreement-template-union-musician-2011/#comments</comments>
		<pubDate>Thu, 16 Feb 2012 13:07:43 +0000</pubDate>
		<dc:creator>Berkeley Repertory Theatre</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[HR and Unions]]></category>
		<category><![CDATA[Information]]></category>
		<category><![CDATA[Production]]></category>
		<category><![CDATA[Tools]]></category>
		<category><![CDATA[Templates]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=976</guid>
		<description><![CDATA[Berkeley Repertory Theatre&#8217;s template for a letter of agreement for use when hiring a musician who is a member of his/her local musician&#8217;s union.]]></description>
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		<title>Tools: Contract Rider Template (USA sound designer) (2011)</title>
		<link>http://yaletmknowledgebase.org/featured/tools-contract-rider-template-usa-sound-designer-2011/</link>
		<comments>http://yaletmknowledgebase.org/featured/tools-contract-rider-template-usa-sound-designer-2011/#comments</comments>
		<pubDate>Thu, 16 Feb 2012 13:03:03 +0000</pubDate>
		<dc:creator>Berkeley Repertory Theatre</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[HR and Unions]]></category>
		<category><![CDATA[Information]]></category>
		<category><![CDATA[Production]]></category>
		<category><![CDATA[Tools]]></category>
		<category><![CDATA[Templates]]></category>

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		<description><![CDATA[Berkeley Repertory Theatre&#8217;s template for use when hiring a USA-member sound designer; must be accompanied by a USA contract.]]></description>
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		<title>Tools: Letter of Agreement Template (projection designer) (2011)</title>
		<link>http://yaletmknowledgebase.org/featured/tools-letter-of-agreement-template-projection-designer-2011/</link>
		<comments>http://yaletmknowledgebase.org/featured/tools-letter-of-agreement-template-projection-designer-2011/#comments</comments>
		<pubDate>Thu, 16 Feb 2012 13:00:20 +0000</pubDate>
		<dc:creator>Berkeley Repertory Theatre</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[HR and Unions]]></category>
		<category><![CDATA[Information]]></category>
		<category><![CDATA[Production]]></category>
		<category><![CDATA[Tools]]></category>
		<category><![CDATA[Templates]]></category>

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		<description><![CDATA[Berkeley Repertory Theatre&#8217;s template for a letter of agreement for use when hiring a projection designer.]]></description>
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		<title>Tools: Contract Rider Template (USA scenic designer) (2011)</title>
		<link>http://yaletmknowledgebase.org/featured/tools-contract-rider-template-usa-scenic-designer-2011/</link>
		<comments>http://yaletmknowledgebase.org/featured/tools-contract-rider-template-usa-scenic-designer-2011/#comments</comments>
		<pubDate>Thu, 16 Feb 2012 12:54:22 +0000</pubDate>
		<dc:creator>Berkeley Repertory Theatre</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[HR and Unions]]></category>
		<category><![CDATA[Information]]></category>
		<category><![CDATA[Production]]></category>
		<category><![CDATA[Tools]]></category>
		<category><![CDATA[Templates]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=963</guid>
		<description><![CDATA[Berkeley Repertory Theatre&#8217;s template for use when hiring a USA-member scenic designer; must be accompanied by a USA contract.]]></description>
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		<title>Tools: Contract Rider Template (USA lighting designer) (2011)</title>
		<link>http://yaletmknowledgebase.org/featured/tools-contract-rider-template-usa-lighting-designer-2011/</link>
		<comments>http://yaletmknowledgebase.org/featured/tools-contract-rider-template-usa-lighting-designer-2011/#comments</comments>
		<pubDate>Thu, 16 Feb 2012 12:52:08 +0000</pubDate>
		<dc:creator>Berkeley Repertory Theatre</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[HR and Unions]]></category>
		<category><![CDATA[Information]]></category>
		<category><![CDATA[Production]]></category>
		<category><![CDATA[Tools]]></category>
		<category><![CDATA[Templates]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=958</guid>
		<description><![CDATA[Berkeley Repertory Theatre&#8217;s template for use when hiring a USA-member lighting designer; must be accompanied by a USA contract. &#160;]]></description>
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		<title>Tool: Contract Rider Template (USA costume designer) (2011)</title>
		<link>http://yaletmknowledgebase.org/featured/tool-contract-rider-template-usa-costume-designer-2011/</link>
		<comments>http://yaletmknowledgebase.org/featured/tool-contract-rider-template-usa-costume-designer-2011/#comments</comments>
		<pubDate>Thu, 09 Feb 2012 13:43:55 +0000</pubDate>
		<dc:creator>Berkeley Repertory Theatre</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[HR and Unions]]></category>
		<category><![CDATA[Information]]></category>
		<category><![CDATA[Tools]]></category>
		<category><![CDATA[Templates]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=946</guid>
		<description><![CDATA[Berkeley Repertory Theatre&#8217;s template for use when hiring a USA-member costume designer; must be accompanied by a USA contract.]]></description>
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		<title>Interview: Lou Bellamy and Chris Widdess, Penumbra Theatre Company&#8217;s Management Team (2010)</title>
		<link>http://yaletmknowledgebase.org/artists-and-artistry/interview-lou-bellamy-and-chris-widdess-penumbra-theatre-companys-management-team-2010/</link>
		<comments>http://yaletmknowledgebase.org/artists-and-artistry/interview-lou-bellamy-and-chris-widdess-penumbra-theatre-companys-management-team-2010/#comments</comments>
		<pubDate>Thu, 09 Feb 2012 13:30:55 +0000</pubDate>
		<dc:creator>Kate E. Liberman</dc:creator>
				<category><![CDATA[Artists and Artistry]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Leadership]]></category>
		<category><![CDATA[Organizational Direction]]></category>
		<category><![CDATA[Governance]]></category>
		<category><![CDATA[managing change]]></category>
		<category><![CDATA[mid-size organizations]]></category>
		<category><![CDATA[mission]]></category>
		<category><![CDATA[organizational culture]]></category>
		<category><![CDATA[succession]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=940</guid>
		<description><![CDATA[As Penumbra’s Founding Artistic Director Lou Bellamy and Managing Director (since 2004) Chris Widdess plot their exits from the company, they discuss partnering with major regional theaters, recommitting to the company’s mission, and the upcoming leadership transition.]]></description>
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		<title>Case Study: The Jewish Theatre of San Francisco (2010)</title>
		<link>http://yaletmknowledgebase.org/featured/case-study-the-jewish-theatre-of-san-francisco-2010/</link>
		<comments>http://yaletmknowledgebase.org/featured/case-study-the-jewish-theatre-of-san-francisco-2010/#comments</comments>
		<pubDate>Thu, 09 Feb 2012 13:25:30 +0000</pubDate>
		<dc:creator>Diana Jacobs-Komisar</dc:creator>
				<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Facilities]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Financial Management]]></category>
		<category><![CDATA[Growth Trajectories]]></category>
		<category><![CDATA[Organizational Direction]]></category>
		<category><![CDATA[growth]]></category>
		<category><![CDATA[mid-size organizations]]></category>
		<category><![CDATA[mission]]></category>
		<category><![CDATA[scale]]></category>
		<category><![CDATA[sustainability]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=934</guid>
		<description><![CDATA[In this case study, the former Traveling Jewish Theatre has taken up residence in San Francisco, but struggles to achieve a sustainable scale while maintaining its avant garde roots.  Founded as a traveling collective performing original ensemble work, The Jewish Theatre of San Francisco (TJT) had gradually evolved into a reputable theater producing scripted work [...]]]></description>
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		<title>Case Study: SITI Company (2010)</title>
		<link>http://yaletmknowledgebase.org/featured/case-study-siti-company-2010/</link>
		<comments>http://yaletmknowledgebase.org/featured/case-study-siti-company-2010/#comments</comments>
		<pubDate>Thu, 09 Feb 2012 13:13:16 +0000</pubDate>
		<dc:creator>Jaeeun Joo</dc:creator>
				<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Growth Trajectories]]></category>
		<category><![CDATA[Organizational Direction]]></category>
		<category><![CDATA[decision making]]></category>
		<category><![CDATA[growth]]></category>
		<category><![CDATA[joint ventures]]></category>
		<category><![CDATA[managing change]]></category>
		<category><![CDATA[mission]]></category>
		<category><![CDATA[organizational culture]]></category>
		<category><![CDATA[organizational design]]></category>
		<category><![CDATA[planning]]></category>
		<category><![CDATA[strategy]]></category>
		<category><![CDATA[sustainability]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=927</guid>
		<description><![CDATA[This profile of Anne Bogart’s ensemble of teacher-performers follows the group as its members strategize a transition from traveling troupe to New York resident company.  As a touring ensemble company that had neither a theater facility nor a fixed performance season, SITI established organic relationships with numerous presenting/producing theaters across the country. This model was [...]]]></description>
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