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	<title>Theater Management Knowledge Base &#187; Field Overview</title>
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	<description>Presented by the Yale School of Drama</description>
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		<title>History: International Exchange Activities of American Theater (1993)</title>
		<link>http://yaletmknowledgebase.org/field-overview/history-international-exchange-activities-of-american-theater-1993/</link>
		<comments>http://yaletmknowledgebase.org/field-overview/history-international-exchange-activities-of-american-theater-1993/#comments</comments>
		<pubDate>Mon, 27 Feb 2012 13:02:55 +0000</pubDate>
		<dc:creator>Juliana Mui</dc:creator>
				<category><![CDATA[Field Overview]]></category>
		<category><![CDATA[Historical]]></category>
		<category><![CDATA[International]]></category>
		<category><![CDATA[joint ventures]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=1000</guid>
		<description><![CDATA[This paper explores the history and current operation (as of 1993) of international exchange activities in American theater.  Four institutions&#8211;La MaMa E.T.C, Milwaukee Repertory Theater, American Repertory Theatre, and Brooklyn Academy of Music&#8211;exemplify the diverse nature of theater exchange activities from the 1960s to the early 1990s.]]></description>
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		<title>Class Summary: Negotiating Design (1997)</title>
		<link>http://yaletmknowledgebase.org/featured/class-summary-negotiating-design-1997/</link>
		<comments>http://yaletmknowledgebase.org/featured/class-summary-negotiating-design-1997/#comments</comments>
		<pubDate>Fri, 16 Sep 2011 19:27:46 +0000</pubDate>
		<dc:creator>Victoria Nolan</dc:creator>
				<category><![CDATA[Class Summaries]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Field Overview]]></category>
		<category><![CDATA[HR and Unions]]></category>
		<category><![CDATA[decision making]]></category>
		<category><![CDATA[ethics]]></category>
		<category><![CDATA[training programs]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=844</guid>
		<description><![CDATA[In 1997, negotiations over renewal of the collective bargaining agreement between United Scenic Artists (USA) Local 829 and the League of Resident Theatres (LORT) had stalled.  The 1992-1996 LORT-USA Agreement had expired, and both LORT and USA walked away from negotiations with no successor agreement.  LORT continued to file contracts pursuant to the 1992-96 Agreement, [...]]]></description>
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		<title>Interview: Charles Dillingham (2010)</title>
		<link>http://yaletmknowledgebase.org/artists-and-artistry/interview-charles-dillingham-2010/</link>
		<comments>http://yaletmknowledgebase.org/artists-and-artistry/interview-charles-dillingham-2010/#comments</comments>
		<pubDate>Fri, 16 Sep 2011 00:13:33 +0000</pubDate>
		<dc:creator>Art Priromprintr</dc:creator>
				<category><![CDATA[Artists and Artistry]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Field Overview]]></category>
		<category><![CDATA[Governance]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Leadership]]></category>
		<category><![CDATA[Organizational Direction]]></category>
		<category><![CDATA[cultural policy]]></category>
		<category><![CDATA[growth]]></category>
		<category><![CDATA[managing change]]></category>
		<category><![CDATA[organizational culture]]></category>
		<category><![CDATA[succession]]></category>
		<category><![CDATA[sustainability]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=690</guid>
		<description><![CDATA[Charles Dillingham was the managing director at Center Theatre Group from 1991 to 2011, where he supervised all development, marketing, administrative and financial aspects of Center Theatre Group. Prior to CTG, he was CEO of The Entertainment Corporation USA, presenting the Bolshoi Ballet, Bolshoi Opera, Kirov Ballet, Kirov Opera, and Royal Ballet at the Metropolitan [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>History: Closer Than Ever: Conversations About Relationships Between Commercial Producers and Not-For-Profit Theatres (2002)</title>
		<link>http://yaletmknowledgebase.org/featured/closer-than-ever-conversations-about-relationship-between-commercial-producers-and-not-for-profit-theatres-2002-paper/</link>
		<comments>http://yaletmknowledgebase.org/featured/closer-than-ever-conversations-about-relationship-between-commercial-producers-and-not-for-profit-theatres-2002-paper/#comments</comments>
		<pubDate>Tue, 13 Sep 2011 18:51:43 +0000</pubDate>
		<dc:creator>Ben Pesner</dc:creator>
				<category><![CDATA[Commercial Theater]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Field Overview]]></category>
		<category><![CDATA[Historical]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[joint ventures]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=699</guid>
		<description><![CDATA[A broad overview of the occasionally rocky landscape where commercial and not-for-profit production overlap, this report is a digest of six round-table conversations among commercial and non-profit producers around the topics “Artistic Control,” &#8220;The Reality of the Deal,” and “The Reality of the Budget.”]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Interview: The Ecology of Culture &#8211; A Conversation with Marian A. Godfrey (2010)</title>
		<link>http://yaletmknowledgebase.org/interviews/interview-the-ecology-of-culture-a-conversation-with-marian-a-godfrey-2010/</link>
		<comments>http://yaletmknowledgebase.org/interviews/interview-the-ecology-of-culture-a-conversation-with-marian-a-godfrey-2010/#comments</comments>
		<pubDate>Mon, 28 Mar 2011 01:57:54 +0000</pubDate>
		<dc:creator>Marian A. Godfrey</dc:creator>
				<category><![CDATA[Field Overview]]></category>
		<category><![CDATA[Information]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[cultural development]]></category>
		<category><![CDATA[cultural policy]]></category>
		<category><![CDATA[economic development]]></category>
		<category><![CDATA[managing change]]></category>
		<category><![CDATA[planning]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=577</guid>
		<description><![CDATA[Marian A. Godfrey is senior director of Culture Initiatives at The Pew Charitable Trust.  In this interview, conducted by Edward A. Martenson with theater management students at Yale School of Drama, Marian discusses a wide range of subjects, including her views on the state of the arts and culture field, the role of foundations in [...]]]></description>
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		<item>
		<title>Case Study: Abu Dhabi, Building a Cultural Capital (2008)</title>
		<link>http://yaletmknowledgebase.org/case-studies/abu-dhabi-2008/</link>
		<comments>http://yaletmknowledgebase.org/case-studies/abu-dhabi-2008/#comments</comments>
		<pubDate>Tue, 01 Jan 2008 20:37:00 +0000</pubDate>
		<dc:creator>Paola Allais</dc:creator>
				<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Field Overview]]></category>
		<category><![CDATA[International]]></category>
		<category><![CDATA[cultural development]]></category>
		<category><![CDATA[cultural policy]]></category>
		<category><![CDATA[economic development]]></category>
		<category><![CDATA[strategy]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=23</guid>
		<description><![CDATA[In 2004, Sheikh Khalifa launched an ambitious initiative to develop the cultural landscape of the UAE through cultural education, preservation, and expansion. Sheikh Khalifa wished to fill the emirate’s newly built roads with the vibrancy of cultural affluence and transform Abu Dhabi into a global cultural capital, the “London of the Middle East.” What does [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Interview: The Nonprofit and Commerical Theater: A Comparison (2007)</title>
		<link>http://yaletmknowledgebase.org/artists-and-artistry/interview-the-nonprofit-and-commerical-theater-a-comparison-2007/</link>
		<comments>http://yaletmknowledgebase.org/artists-and-artistry/interview-the-nonprofit-and-commerical-theater-a-comparison-2007/#comments</comments>
		<pubDate>Mon, 01 Jan 2007 22:11:31 +0000</pubDate>
		<dc:creator>Jane Jung</dc:creator>
				<category><![CDATA[Artists and Artistry]]></category>
		<category><![CDATA[Field Overview]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Leadership]]></category>
		<category><![CDATA[audience]]></category>
		<category><![CDATA[cultural policy]]></category>
		<category><![CDATA[succession]]></category>
		<category><![CDATA[sustainability]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=453</guid>
		<description><![CDATA[Rocco Landesman, former President of Jujamcyn Amusement Corporation and current Chairman of the National Endowment for the Arts, and Robert Brustein, founding Artistic Director of the Yale Repertory Theatre and the American Repertory Theatre, discuss the role of nonprofit and commercial theater at the Yale School of Drama in 2007. In this discussion, they address [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Interview: The Management Puzzle (2007)</title>
		<link>http://yaletmknowledgebase.org/interviews/interview-the-management-puzzle-2007/</link>
		<comments>http://yaletmknowledgebase.org/interviews/interview-the-management-puzzle-2007/#comments</comments>
		<pubDate>Mon, 01 Jan 2007 22:07:15 +0000</pubDate>
		<dc:creator>Joan Channick</dc:creator>
				<category><![CDATA[Education]]></category>
		<category><![CDATA[Field Overview]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Leadership]]></category>
		<category><![CDATA[professionalization]]></category>
		<category><![CDATA[training programs]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=448</guid>
		<description><![CDATA[American Theatre magazine convened six leaders in the field of theatre management in 2007 to discuss issues and trends in management training. The panelists represented a broad spectrum, including the heads of both well-established and new graduate programs in theatre management. Joining them were successful managers without formal training, who learned through on-the-job experience in [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Case Study: Museum of Contemporary Art, Chicago Performance Programs (2007)</title>
		<link>http://yaletmknowledgebase.org/case-studies/case-study-museum-of-contemporary-art-chicago-performance-programs-2007/</link>
		<comments>http://yaletmknowledgebase.org/case-studies/case-study-museum-of-contemporary-art-chicago-performance-programs-2007/#comments</comments>
		<pubDate>Mon, 01 Jan 2007 20:01:46 +0000</pubDate>
		<dc:creator>Naomi Okuyama</dc:creator>
				<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Field Overview]]></category>
		<category><![CDATA[Growth Trajectories]]></category>
		<category><![CDATA[Leadership]]></category>
		<category><![CDATA[Organizational Direction]]></category>
		<category><![CDATA[growth]]></category>
		<category><![CDATA[mission]]></category>
		<category><![CDATA[organizational design]]></category>
		<category><![CDATA[planning]]></category>
		<category><![CDATA[presenting]]></category>
		<category><![CDATA[strategy]]></category>
		<category><![CDATA[succession]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=201</guid>
		<description><![CDATA[The Museum of Contemporary Art was preparing for the departure of MCA Director Robert Fitzpatrick next year. The MCA had come a long way under Fitzpatrick’s tenure, and Peter Taub, Director of Performance Programs, wondered whether this was a good time to propose a plan for growth in performing arts programming. The performing arts at [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Paper: INTAR Hispanic American Arts Center, Puerto Rican Traveling Theatre, Repertorio Español (1990)</title>
		<link>http://yaletmknowledgebase.org/artists-and-artistry/paper-tri-theater-case-study-intar-hispanic-american-arts-center-puerto-rican-traveling-theatre-repertorio-espanol-1990/</link>
		<comments>http://yaletmknowledgebase.org/artists-and-artistry/paper-tri-theater-case-study-intar-hispanic-american-arts-center-puerto-rican-traveling-theatre-repertorio-espanol-1990/#comments</comments>
		<pubDate>Mon, 01 Jan 1990 18:38:03 +0000</pubDate>
		<dc:creator>katherine.burgueno</dc:creator>
				<category><![CDATA[Artists and Artistry]]></category>
		<category><![CDATA[Field Overview]]></category>
		<category><![CDATA[Papers]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=299</guid>
		<description><![CDATA[This paper focuses on three Hispanic theater companies: INTAR Hispanic American Arts Center (INTAR), Puerto Rican Traveling Theatre, and Repertorio Español. Founded in the late 1960’s and based in New York City, these three theaters have a common heritage and language, but they have different DNAs. At INTAR, the focus is on the development of [...]]]></description>
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