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	<title>Theater Management Knowledge Base &#187; Leadership</title>
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		<title>Interview: Lou Bellamy and Chris Widdess, Penumbra Theatre Company&#8217;s Management Team (2010)</title>
		<link>http://yaletmknowledgebase.org/artists-and-artistry/interview-lou-bellamy-and-chris-widdess-penumbra-theatre-companys-management-team-2010/</link>
		<comments>http://yaletmknowledgebase.org/artists-and-artistry/interview-lou-bellamy-and-chris-widdess-penumbra-theatre-companys-management-team-2010/#comments</comments>
		<pubDate>Thu, 09 Feb 2012 13:30:55 +0000</pubDate>
		<dc:creator>Kate E. Liberman</dc:creator>
				<category><![CDATA[Artists and Artistry]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Leadership]]></category>
		<category><![CDATA[Organizational Direction]]></category>
		<category><![CDATA[Governance]]></category>
		<category><![CDATA[managing change]]></category>
		<category><![CDATA[mid-size organizations]]></category>
		<category><![CDATA[mission]]></category>
		<category><![CDATA[organizational culture]]></category>
		<category><![CDATA[succession]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=940</guid>
		<description><![CDATA[As Penumbra’s Founding Artistic Director Lou Bellamy and Managing Director (since 2004) Chris Widdess plot their exits from the company, they discuss partnering with major regional theaters, recommitting to the company’s mission, and the upcoming leadership transition.]]></description>
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		<title>Interview: Charles Dillingham (2010)</title>
		<link>http://yaletmknowledgebase.org/artists-and-artistry/interview-charles-dillingham-2010/</link>
		<comments>http://yaletmknowledgebase.org/artists-and-artistry/interview-charles-dillingham-2010/#comments</comments>
		<pubDate>Fri, 16 Sep 2011 00:13:33 +0000</pubDate>
		<dc:creator>Art Priromprintr</dc:creator>
				<category><![CDATA[Artists and Artistry]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Field Overview]]></category>
		<category><![CDATA[Governance]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Leadership]]></category>
		<category><![CDATA[Organizational Direction]]></category>
		<category><![CDATA[cultural policy]]></category>
		<category><![CDATA[growth]]></category>
		<category><![CDATA[managing change]]></category>
		<category><![CDATA[organizational culture]]></category>
		<category><![CDATA[succession]]></category>
		<category><![CDATA[sustainability]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=690</guid>
		<description><![CDATA[Charles Dillingham was the managing director at Center Theatre Group from 1991 to 2011, where he supervised all development, marketing, administrative and financial aspects of Center Theatre Group. Prior to CTG, he was CEO of The Entertainment Corporation USA, presenting the Bolshoi Ballet, Bolshoi Opera, Kirov Ballet, Kirov Opera, and Royal Ballet at the Metropolitan [...]]]></description>
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		<title>Case Study: Penumbra Theatre Company (2010)</title>
		<link>http://yaletmknowledgebase.org/featured/penumbra-2010/</link>
		<comments>http://yaletmknowledgebase.org/featured/penumbra-2010/#comments</comments>
		<pubDate>Tue, 13 Sep 2011 19:12:20 +0000</pubDate>
		<dc:creator>Kate E. Liberman</dc:creator>
				<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Financial Management]]></category>
		<category><![CDATA[Growth Trajectories]]></category>
		<category><![CDATA[Leadership]]></category>
		<category><![CDATA[Organizational Direction]]></category>
		<category><![CDATA[growth]]></category>
		<category><![CDATA[mission]]></category>
		<category><![CDATA[scale]]></category>
		<category><![CDATA[succession]]></category>
		<category><![CDATA[sustainability]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=708</guid>
		<description><![CDATA[Lou Bellamy, Founder and Artistic Director of Penumbra Theatre Company in Minneapolis, had recently begun the slow process of planning for his own retirement.  In addition to his own transition, his colleague since 2004, Managing Director Chris Widdess, had announced that she would be leaving the organization at the end of the 2012 season.  In [...]]]></description>
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		<title>Interview: Organizational Leadership &#8211; A Conversation with Trisha Brown (2005)</title>
		<link>http://yaletmknowledgebase.org/artists-and-artistry/interview-organizational-leadership-a-conversation-with-trisha-brown-2005/</link>
		<comments>http://yaletmknowledgebase.org/artists-and-artistry/interview-organizational-leadership-a-conversation-with-trisha-brown-2005/#comments</comments>
		<pubDate>Mon, 28 Mar 2011 02:22:01 +0000</pubDate>
		<dc:creator>Edward A. Martenson</dc:creator>
				<category><![CDATA[Artists and Artistry]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Leadership]]></category>
		<category><![CDATA[growth]]></category>
		<category><![CDATA[managing change]]></category>
		<category><![CDATA[organizational culture]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=594</guid>
		<description><![CDATA[Trisha Brown has been called the most widely acclaimed choreographer of the postmodern era.  She has collaborated with Robert Rauschenberg, John Cage, and Laurie Anderson, among others.  Brown studied modern dance at Mills College in the 1950’s, and was a founding member of the Judson Dance Theater in the ‘60’s. In 1970 she formed the [...]]]></description>
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		<title>Interview: René Buch &#8211; Building on the Dream (2010)</title>
		<link>http://yaletmknowledgebase.org/artists-and-artistry/interview-rene-buch-building-on-the-dream-2010/</link>
		<comments>http://yaletmknowledgebase.org/artists-and-artistry/interview-rene-buch-building-on-the-dream-2010/#comments</comments>
		<pubDate>Mon, 28 Mar 2011 02:20:06 +0000</pubDate>
		<dc:creator>Edward A. Martenson</dc:creator>
				<category><![CDATA[Artists and Artistry]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Leadership]]></category>
		<category><![CDATA[audience]]></category>
		<category><![CDATA[cultural development]]></category>
		<category><![CDATA[cultural policy]]></category>
		<category><![CDATA[managing change]]></category>
		<category><![CDATA[succession]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=591</guid>
		<description><![CDATA[René Buch is the founding artistic director of Repertorio Español in New York City, one of the few theaters in the United States to perform both classic and contemporary Spanish plays entirely in the Spanish language.   The theater is also unique for its classical repertory model, with a company of actors and a schedule of [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Case Study: The Paper Bag Players (2009)</title>
		<link>http://yaletmknowledgebase.org/case-studies/case-study-the-paper-bag-players-2009/</link>
		<comments>http://yaletmknowledgebase.org/case-studies/case-study-the-paper-bag-players-2009/#comments</comments>
		<pubDate>Mon, 28 Mar 2011 02:16:57 +0000</pubDate>
		<dc:creator>Luis Abril</dc:creator>
				<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Leadership]]></category>
		<category><![CDATA[audience]]></category>
		<category><![CDATA[decision making]]></category>
		<category><![CDATA[growth]]></category>
		<category><![CDATA[organizational culture]]></category>
		<category><![CDATA[scale]]></category>
		<category><![CDATA[succession]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=588</guid>
		<description><![CDATA[This case study looks at a well-regarded theater for young audiences at a time when it is beginning to consider longevity beyond its founders. Change was coming to The Paper Bag Players, a theatre organization that had been dedicated to performing for children since the late 1950s.  During the 2009-2010 season, The Bags, as they [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Case Study: Ice Theatre of New York (2008)</title>
		<link>http://yaletmknowledgebase.org/artists-and-artistry/case-study-ice-theatre-of-new-york-2008/</link>
		<comments>http://yaletmknowledgebase.org/artists-and-artistry/case-study-ice-theatre-of-new-york-2008/#comments</comments>
		<pubDate>Mon, 28 Mar 2011 01:02:25 +0000</pubDate>
		<dc:creator>Frances Black</dc:creator>
				<category><![CDATA[Artists and Artistry]]></category>
		<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Governance]]></category>
		<category><![CDATA[Growth Trajectories]]></category>
		<category><![CDATA[Leadership]]></category>
		<category><![CDATA[Organizational Direction]]></category>
		<category><![CDATA[competition]]></category>
		<category><![CDATA[cultural development]]></category>
		<category><![CDATA[decision making]]></category>
		<category><![CDATA[growth]]></category>
		<category><![CDATA[managing change]]></category>
		<category><![CDATA[mission]]></category>
		<category><![CDATA[organizational culture]]></category>
		<category><![CDATA[planning]]></category>
		<category><![CDATA[strategy]]></category>
		<category><![CDATA[succession]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=572</guid>
		<description><![CDATA[On the far west side of midtown Manhattan, looking out across the Hudson with a view of New Jersey, is a large sports complex called Chelsea Piers. The office of Ice Theatre of New York (ITNY) is located at Pier 59, across the parking lot from the Golf Center. ITNY is the only arts organization [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Case Study: Bread and Puppet Theater (2009)</title>
		<link>http://yaletmknowledgebase.org/artists-and-artistry/case-study-bread-and-puppet-theater-2009/</link>
		<comments>http://yaletmknowledgebase.org/artists-and-artistry/case-study-bread-and-puppet-theater-2009/#comments</comments>
		<pubDate>Mon, 28 Mar 2011 00:58:21 +0000</pubDate>
		<dc:creator>Elizabeth Elliott</dc:creator>
				<category><![CDATA[Artists and Artistry]]></category>
		<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Governance]]></category>
		<category><![CDATA[Leadership]]></category>
		<category><![CDATA[Organizational Direction]]></category>
		<category><![CDATA[cultural development]]></category>
		<category><![CDATA[decision making]]></category>
		<category><![CDATA[donor relations]]></category>
		<category><![CDATA[growth]]></category>
		<category><![CDATA[managing change]]></category>
		<category><![CDATA[organizational culture]]></category>
		<category><![CDATA[scale]]></category>
		<category><![CDATA[strategy]]></category>
		<category><![CDATA[succession]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=568</guid>
		<description><![CDATA[This case looks at a venerable, founder-driven theater and its planning for the future. Every morning on the Bread and Puppet farm in Glover, Vermont, Peter Schumann rises at the crack of dawn, straps on his apron, and sets to the task of baking the day&#8217;s bread.  With matted white hair, an overgrown beard, and [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Interview: Servicing the Art, A Conversation with Joseph V. Melillo (2010)</title>
		<link>http://yaletmknowledgebase.org/artists-and-artistry/interview-servicing-the-art-a-conversation-with-joseph-v-melillo-2010/</link>
		<comments>http://yaletmknowledgebase.org/artists-and-artistry/interview-servicing-the-art-a-conversation-with-joseph-v-melillo-2010/#comments</comments>
		<pubDate>Thu, 28 Jan 2010 17:14:14 +0000</pubDate>
		<dc:creator>Jane Jung</dc:creator>
				<category><![CDATA[Artists and Artistry]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Leadership]]></category>
		<category><![CDATA[presenting]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=474</guid>
		<description><![CDATA[Joseph V. Melillo, Executive Producer of the Brooklyn Academy of Music (BAM), is responsible for all of BAM’s artistic programming. Throughout his 25 year tenure, Melillo has upheld BAM’s position as the leading institution for contemporary performance. BAM is firmly rooted in its local environ while being international in its scope of programming.  In this [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Paper: Mission Driven Governance (2009)</title>
		<link>http://yaletmknowledgebase.org/featured/paper-mission-driven-governance-2009/</link>
		<comments>http://yaletmknowledgebase.org/featured/paper-mission-driven-governance-2009/#comments</comments>
		<pubDate>Tue, 19 May 2009 16:38:31 +0000</pubDate>
		<dc:creator>Raymond Fisman</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Governance]]></category>
		<category><![CDATA[Leadership]]></category>
		<category><![CDATA[Papers]]></category>
		<category><![CDATA[alignment]]></category>
		<category><![CDATA[decision making]]></category>
		<category><![CDATA[mission]]></category>
		<category><![CDATA[organizational culture]]></category>

		<guid isPermaLink="false">http://yaletmknowledgebase.org/?p=350</guid>
		<description><![CDATA[The prevailing governance model is fundamentally adversarial, pitting board members in a never-ending struggle with executives. This model may ensure that the legal requirements of oversight and compliance are met, but it does little to advance the organization’s goals. The authors of this paper propose a new and more effective framework, one where board members [...]]]></description>
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